Liliana Zeic (Piskorska)
  • Bio
  • Works
    • Intarsia | 2024
    • PEARLGEM
    • Portrait of Natalia Bobrowna in her studio”
    • Afternoon cup of tea
    • Intarsia works | 2023
      • Little sun
      • When our mensies synch up there will be a sea of blood
      • Girls
    • The One Who Looks at the Sky
    • Let’s Slip a Moist Flax Seed into a Soil
      • Looking at the sun through St. John’s wort leaves
      • Sleepyheads
      • Neetlebrides
      • Brush-maker woman 1
      • Plants
      • Berry foraging
      • Dancing magnolia fruits
      • Let’s Slip a Moist Flax Seed into a Soil 1-4
      • Strayberries 1
    • Dear Madam
    • Smudge bundles for the institutions that broke my heart
    • Benefits of BDSM for trauma survivors | Meristems
    • Apples Grow on Oaks
    • Summer has completely come today
    • Gently running downwards
    • Zeic
    • Sourcebook | Książka źródeł
      • Eyes
      • 2339 letters 8 574 pages
      • Cucumbers
      • portrait of narcissa żmichowska
      • sketch for narcissa żmichowska
      • Wahlverwandtschaften #1
      • Sourcebook no 33
      • Useful knots
      • from the soil right here beneath this house
      • Wahlverwandtschaften #2
      • Wahlverwandtschaften #3
      • The Berry Maids #1
      • White lady
      • In each of these pairs, one would masculinise herself outwardly
      • drawings
      • text
    • A pine with six hands
    • I would rather not talk about this at church
    • Eighteen Christmas trees
    • Red-faced monkey
    • Strong sisters told the brothers
    • Well written act
    • Fifth Column
    • Legal Order
    • Group practices
      • Strajk Kobiet Wrocław
      • Collective Manifa Toruńska
      • #2613 (bez tytułu)
      • #2615 (bez tytułu)
      • Toruńskie Dziewuchy
      • Strajk Kobiet Kłodzko
      • Strajk Kobiet Zgorzelec
    • I find this strange
    • Herb of Grace
    • You’re going to love the lavender menace
    • It’s barbaric, but hey, it’s home
    • Public displays of Affection
    • Annihilate by speaking
    • About diseases of plants
    • The field I am buried in
    • Self-portrait with borrowed man
    • Freedom and Equal Opportunity (…)
    • Gays and artists create ODP
    • A Journey
    • Bitches. Self-portrait with a lover
    • Other works
      • She-wolf
      • Rosa Winkel
      • Stalin’s Revenge
      • Playing with Myself with a Piece of Art
      • Blue blood. On TV I’m always a queen.
      • Unsorted
      • Linguistic and gender asymmetry
      • Methods of camouflage in contemporary Poland
      • SCUM
      • Breathing exercises
      • Eleven skinned spruces
      • double self-portrait
    • Solo shows
      • My hands are full
      • Let’s Slip a Moist Flax Seed into a Soil
      • Neetlebrides
      • Maids are sitting in a circle, Hawk was hanged
      • The star is burning over Betlehem
      • The long march through the institutions
      • Side effects
  • Texts
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Legal Order 2019

installation (wooden objects, plaster casts, printouts on paper and textile), dimensions 540x270cm

The work is made up of objects that evoke the visual and rhetorical policy of the Ordo Iuris foundation. They are a travesty of the official, representative portraits of the foundation’s members as well as of the graphic identity of the foundation, enhancing the ideological message contained in textual statements. The artist herself calls this installation a “group portrait of 25 members of the Institute for Legal Culture Ordo Iuris as tongues of a golden lion, with special emphasis on the President of the Board and Director of the Centre for Religious Freedom”. The work examines the ways of generating the law and the entities which are in charge of this activity. Proposing and promoting specific legal solutions, they define what is socially allowed and what is no longer within the limits acceptable to the “common-sense” majority or another group, which they regard as important for one reason or another. The artist asks the question: “Who makes and upholds the law today? Who is this law supposed to serve?” By simulating judicial space and creating entities managing it, Liliana Piskorska poses questions about the power of legal discourse, which affects real lives and is well-protected, routinely maintained and recognised by custom and tradition. This discourse, however, can not only protect, but also exclude and do harm. Still, by evoking certain values, it insists on its own neutrality.

The work was created in cooperation with Municipal Gallery Arsenał.

exhibition view, Side effects, Arsenał Gallery Poznań, phot. Tytus Szabelski
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exhibition view, Side effects, Arsenał Gallery Poznań, phot. Tytus Szabelski

© 2025 Liliana Zeic (Piskorska)