Liliana Zeic (Piskorska)
  • Bio
  • Works
    • Świteź
    • One Dead Fish for My Father
    • Paula and Helene
    • Sun
    • Intarsia | 2024
    • PEARLGEM
    • Portrait of Natalia Bobrowna in her studio”
    • Afternoon cup of tea
    • Intarsia works | 2023
      • Little sun
      • When our mensies synch up there will be a sea of blood
      • Girls
    • The One Who Looks at the Sky
    • Let’s Slip a Moist Flax Seed into a Soil
      • Looking at the sun through St. John’s wort leaves
      • Sleepyheads
      • Neetlebrides
      • Brush-maker woman 1
      • Plants
      • Berry foraging
      • Dancing magnolia fruits
      • Let’s Slip a Moist Flax Seed into a Soil 1-4
      • Strayberries 1
    • Dear Madam
    • Smudge bundles for the institutions that broke my heart
    • Benefits of BDSM for trauma survivors | Meristems
    • Apples Grow on Oaks
    • Summer has completely come today
    • Gently running downwards
    • Zeic
    • Sourcebook | Książka źródeł
      • Eyes
      • 2339 letters 8 574 pages
      • Cucumbers
      • portrait of narcissa żmichowska
      • sketch for narcissa żmichowska
      • Wahlverwandtschaften #1
      • Sourcebook no 33
      • Useful knots
      • from the soil right here beneath this house
      • Wahlverwandtschaften #2
      • Wahlverwandtschaften #3
      • The Berry Maids #1
      • White lady
      • In each of these pairs, one would masculinise herself outwardly
      • drawings
      • text
    • A pine with six hands
    • I would rather not talk about this at church
    • Eighteen Christmas trees
    • Red-faced monkey
    • Strong sisters told the brothers
    • Well written act
    • Fifth Column
    • Legal Order
    • Group practices
      • Strajk Kobiet Wrocław
      • Collective Manifa Toruńska
      • #2613 (bez tytułu)
      • #2615 (bez tytułu)
      • Toruńskie Dziewuchy
      • Strajk Kobiet Kłodzko
      • Strajk Kobiet Zgorzelec
    • I find this strange
    • Herb of Grace
    • You’re going to love the lavender menace
    • It’s barbaric, but hey, it’s home
    • Public displays of Affection
    • Annihilate by speaking
    • About diseases of plants
    • The field I am buried in
    • Self-portrait with borrowed man
    • Freedom and Equal Opportunity (…)
    • Gays and artists create ODP
    • A Journey
    • Bitches. Self-portrait with a lover
    • Other works
      • She-wolf
      • Rosa Winkel
      • Stalin’s Revenge
      • Playing with Myself with a Piece of Art
      • Blue blood. On TV I’m always a queen.
      • Unsorted
      • Linguistic and gender asymmetry
      • Methods of camouflage in contemporary Poland
      • SCUM
      • Breathing exercises
      • Eleven skinned spruces
      • double self-portrait
    • Solo shows
      • The First Year They Sleep, the Second Year They Creep, the Third Year They Leap
      • Atlas of Tangled Tales
      • My hands are full
      • Let’s Slip a Moist Flax Seed into a Soil
      • Neetlebrides
      • Maids are sitting in a circle, Hawk was hanged
      • The star is burning over Betlehem
      • The long march through the institutions
      • Side effects
  • Texts
  • Publications
  • Contact
  • pl
  • en

The One Who Looks at the Sky 2023

video, 17’25’’

The song performed by the heroine of the film is a sung history of climate change based on official meteorological data from the period 1722–2022. The singer bases her performance only on high and low tones. Higher sounds mean seasons that are too warm, while lower sounds mean seasons that are too cold. 

Liliana Zeic is inspired by two figures in her work. The first is Gottfried Reyger, an 18th-century botanist and meteorologist who systematically conducted weather observations in the Gdańsk area. The second person is Benita Cempel, a fortune teller, palmist and geography teacher, who hosted the program “From magic to science” on Sky Orunia television in the 1990s. This non-obvious combination was used by the artist to create a character that combines the figure of a teacher, a researcher, an observer looking at the sky, a seer and a fortune teller.

The work intertwines climatology and palmistry: sky reading and palm reading. Liliana offers us the vision of a climatologist-soothsayer who talks about weather changes using the language of magic. At the same time, she asks questions: what will happen when from the mouth of a person who is supposed to talk about scientific facts, we hear a voice that ignores the intellect and speaks straight to the heart? Will we believe the fortune teller, or will there be something waiting inside us for the teacher hidden inside? How does the language of magic differ from the language of science? And finally: what code should we use to describe the world around us in order to dream what we want to dream?

written | directed by: Liliana Zeic
featuring: Natalia Pancewicz
camera: Anu Czerwiński
video post-production: Anu Czerwiński
audio post-production: Paweł Rychert
cooperation: dr Janusz Filipiak
translated by: Ewa Bodal
with thanks to Anna Dzierzgowska and the Jacek Kuroń Wielokulturowe Liceum Humanistyczne
video realized as part of the Festival NARRATIONS #14: Soft Spots. Gdańsk – Orunia 2023

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© 2026 Liliana Zeic (Piskorska)