Liliana Zeic (Piskorska)
  • Bio
  • Works
    • Świteź
    • One Dead Fish for My Father
    • Paula and Helene
    • Sun
    • Intarsia | 2024
    • PEARLGEM
    • Portrait of Natalia Bobrowna in her studio”
    • Afternoon cup of tea
    • Intarsia works | 2023
      • Little sun
      • When our mensies synch up there will be a sea of blood
      • Girls
    • The One Who Looks at the Sky
    • Let’s Slip a Moist Flax Seed into a Soil
      • Looking at the sun through St. John’s wort leaves
      • Sleepyheads
      • Neetlebrides
      • Brush-maker woman 1
      • Plants
      • Berry foraging
      • Dancing magnolia fruits
      • Let’s Slip a Moist Flax Seed into a Soil 1-4
      • Strayberries 1
    • Dear Madam
    • Smudge bundles for the institutions that broke my heart
    • Benefits of BDSM for trauma survivors | Meristems
    • Apples Grow on Oaks
    • Summer has completely come today
    • Gently running downwards
    • Zeic
    • Sourcebook | Książka źródeł
      • Eyes
      • 2339 letters 8 574 pages
      • Cucumbers
      • portrait of narcissa żmichowska
      • sketch for narcissa żmichowska
      • Wahlverwandtschaften #1
      • Sourcebook no 33
      • Useful knots
      • from the soil right here beneath this house
      • Wahlverwandtschaften #2
      • Wahlverwandtschaften #3
      • The Berry Maids #1
      • White lady
      • In each of these pairs, one would masculinise herself outwardly
      • drawings
      • text
    • A pine with six hands
    • I would rather not talk about this at church
    • Eighteen Christmas trees
    • Red-faced monkey
    • Strong sisters told the brothers
    • Well written act
    • Fifth Column
    • Legal Order
    • Group practices
      • Strajk Kobiet Wrocław
      • Collective Manifa Toruńska
      • #2613 (bez tytułu)
      • #2615 (bez tytułu)
      • Toruńskie Dziewuchy
      • Strajk Kobiet Kłodzko
      • Strajk Kobiet Zgorzelec
    • I find this strange
    • Herb of Grace
    • You’re going to love the lavender menace
    • It’s barbaric, but hey, it’s home
    • Public displays of Affection
    • Annihilate by speaking
    • About diseases of plants
    • The field I am buried in
    • Self-portrait with borrowed man
    • Freedom and Equal Opportunity (…)
    • Gays and artists create ODP
    • A Journey
    • Bitches. Self-portrait with a lover
    • Other works
      • She-wolf
      • Rosa Winkel
      • Stalin’s Revenge
      • Playing with Myself with a Piece of Art
      • Blue blood. On TV I’m always a queen.
      • Unsorted
      • Linguistic and gender asymmetry
      • Methods of camouflage in contemporary Poland
      • SCUM
      • Breathing exercises
      • Eleven skinned spruces
      • double self-portrait
    • Solo shows
      • The First Year They Sleep, the Second Year They Creep, the Third Year They Leap
      • Atlas of Tangled Tales
      • My hands are full
      • Let’s Slip a Moist Flax Seed into a Soil
      • Neetlebrides
      • Maids are sitting in a circle, Hawk was hanged
      • The star is burning over Betlehem
      • The long march through the institutions
      • Side effects
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Summer has completely come today 2021

intervention in public space, performative action
collaboration with: Mala Herba, Filip Kijowski, Agnieszka Kocińska, Maja Luxenberg, Ruta Pindyrynda, Patrycja Sikora, Justyna Górowska

Unite and unite, and let us all unite,
For summer is a-comen today.
And whither we are going we all will unite,
In the merry morning of May.

Summer has completely come today is Liliana Zeic’s seven-day-long performative action and intervention in public space, held as part of the Artifake: Art Invades Fake project carried out by the Art Transparent Foundation.

The transformation of Iglica [the Needle] into a peculiar maypole becomes the core of a series of rituals dedicated to women and non-binary people affected by fake news, deliberate disinformation and propaganda. In Zeic’s project, Iglica will act as the axis mundi – the world axis connecting the terrestrial and heavenly planes, becoming the focal point of rituals conducted from various places in Europe for the intention of specific persons.

The tallest monument in Wrocław will act as a transmitter sending out caringattention and tenderness to people affected by media lies. Every day at sunset, the artist will lead the ritual and connect with the invited authors of the intention. They will share fragments of their creative work as home intentions dedicated to people who were targeted with lies. By referring to traditional rituals dating back to pre-Christian times and animistic beliefs, Zeic will add another chapter to the complex history of Iglica, which had carried flags that manifested freedom and the fight for the rights of various nations.

While the traditional maypole signified the arrival of the warm harvest season, the seemingly erroneous title Summer Has Completely Come Today refers to excess and overheating – of both information and climate. Zeic combines the magical symbolism of the maypole with recent and true stories of people in a ritual action based on simultaneous transmission of radical care and digital data. Dedicated intentions – assuming various forms, such as dancing, singing, breathing, poetry, or incensing – emphasise the healing potential of attentive contact with another person, especially those affected by anonymous slander from many sides.

First, the object of the ritual must be chosen. The object of the ritual is lie.
Then the perpetrator of the ritual must be chosen. The perpetrator of the ritual is Iglica.
And then a song can be sung, so that it is remembered forever.

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© 2026 Liliana Zeic (Piskorska)