Liliana Zeic (Piskorska)
  • Bio
  • Works
    • Bladderwrack Returns to the Baltic Sea
      • Furcellaria lumbricalis
      • Bladderwrack attached to a stone
      • The moment I first saw bladderwrack
      • High Tide
      • Low Tide
      • Bladderwrack Drifting in the Sea
      • Last branch of bladderwrack collected in 1977
      • Bladderwrack Deep on the Seabed
      • Bottle Noses
      • Bottle Eyes
      • Bottle Mouths
    • Świteź
    • One Dead Fish for My Father
    • Paula and Helene
    • Sun
    • Intarsia | 2024
    • PEARLGEM
    • Portrait of Natalia Bobrowna in her studio”
    • Afternoon cup of tea
    • Intarsia works | 2023
      • Little sun
      • When our mensies synch up there will be a sea of blood
      • Girls
    • The One Who Looks at the Sky
    • Let’s Slip a Moist Flax Seed into a Soil
      • Looking at the sun through St. John’s wort leaves
      • Sleepyheads
      • Neetlebrides
      • Brush-maker woman 1
      • Plants
      • Berry foraging
      • Dancing magnolia fruits
      • Let’s Slip a Moist Flax Seed into a Soil 1-4
      • Strayberries 1
    • Dear Madam
    • Smudge bundles for the institutions that broke my heart
    • Benefits of BDSM for trauma survivors | Meristems
    • Apples Grow on Oaks
    • Summer has completely come today
    • Gently running downwards
    • Zeic
    • Sourcebook | Książka źródeł
      • Eyes
      • 2339 letters 8 574 pages
      • Cucumbers
      • portrait of narcissa żmichowska
      • sketch for narcissa żmichowska
      • Wahlverwandtschaften #1
      • Sourcebook no 33
      • Useful knots
      • from the soil right here beneath this house
      • Wahlverwandtschaften #2
      • Wahlverwandtschaften #3
      • The Berry Maids #1
      • White lady
      • In each of these pairs, one would masculinise herself outwardly
      • drawings
      • text
    • A pine with six hands
    • I would rather not talk about this at church
    • Eighteen Christmas trees
    • Red-faced monkey
    • Strong sisters told the brothers
    • Well written act
    • Fifth Column
    • Legal Order
    • Group practices
      • Strajk Kobiet Wrocław
      • Collective Manifa Toruńska
      • #2613 (bez tytułu)
      • #2615 (bez tytułu)
      • Toruńskie Dziewuchy
      • Strajk Kobiet Kłodzko
      • Strajk Kobiet Zgorzelec
    • I find this strange
    • Herb of Grace
    • You’re going to love the lavender menace
    • It’s barbaric, but hey, it’s home
    • Public displays of Affection
    • Annihilate by speaking
    • About diseases of plants
    • The field I am buried in
    • Self-portrait with borrowed man
    • Freedom and Equal Opportunity (…)
    • Gays and artists create ODP
    • A Journey
    • Bitches. Self-portrait with a lover
    • Other works
      • She-wolf
      • Rosa Winkel
      • Stalin’s Revenge
      • Playing with Myself with a Piece of Art
      • Blue blood. On TV I’m always a queen.
      • Unsorted
      • Linguistic and gender asymmetry
      • Methods of camouflage in contemporary Poland
      • SCUM
      • Breathing exercises
      • Eleven skinned spruces
      • double self-portrait
    • Solo shows
      • The First Year They Sleep, the Second Year They Creep, the Third Year They Leap
      • Atlas of Tangled Tales
      • My hands are full
      • Let’s Slip a Moist Flax Seed into a Soil
      • Neetlebrides
      • Maids are sitting in a circle, Hawk was hanged
      • The star is burning over Betlehem
      • The long march through the institutions
      • Side effects
  • Texts
  • Publications
  • Contact
  • pl
  • en

Bottle Mouths

2026, intarsia (Karelian birch, steel), 20 x 20 cm

The hard subsoil in the Baltic Sea gradually disappeared, and with it, places where one could anchor to the ground.

 

However, from a coevolutionary perspective, the human species not only domesticated but was also domesticated. Following Stacy Alaimo’s call for increasing the visibility of “nonhuman agencies and trajectories” in Anthropocene narratives, I examine the Anthropocene past through the lens of a shared plant-human history, co-becoming, and sympoiesis. Following Ursula K. Heise’s observation that our human understanding of other beings and our relationship to them “becomes part of the stories that human societies tell about themselves: stories of origins, development, identity, and possible futures,” and Donna Haraway’s call for creating new stories about the interwoven histories and complex relationships of earthly beings (“It matters what stories shape worlds, what worlds tell stories”), I discuss the human desire for sunlight and the plant desire for mobility, satisfied only through multispecies and multifactorial relationships and intertwinings. The process of coevolution between plants and humans—the transformation of bodies and the satisfaction of desires—is fueled by the needs of biochemical products of photosynthesis on the human side and mobility that improves fertility on the plant side.

 

(Magdalena Zamorska,  Bylica pospolita, “synfitonizm” i ekspozycje ludzko-roślinnych historii, Kultura Współczesna, 1(113/2021)

usta jak butelki
< 1 / 2 >

usta jak butelki

© 2026 Liliana Zeic (Piskorska)