Liliana Zeic (Piskorska)
  • Bio
  • Works
    • Świteź
    • One Dead Fish for My Father
    • Paula and Helene
    • Sun
    • Intarsia | 2024
    • PEARLGEM
    • Portrait of Natalia Bobrowna in her studio”
    • Afternoon cup of tea
    • Intarsia works | 2023
      • Little sun
      • When our mensies synch up there will be a sea of blood
      • Girls
    • The One Who Looks at the Sky
    • Let’s Slip a Moist Flax Seed into a Soil
      • Looking at the sun through St. John’s wort leaves
      • Sleepyheads
      • Neetlebrides
      • Brush-maker woman 1
      • Plants
      • Berry foraging
      • Dancing magnolia fruits
      • Let’s Slip a Moist Flax Seed into a Soil 1-4
      • Strayberries 1
    • Dear Madam
    • Smudge bundles for the institutions that broke my heart
    • Benefits of BDSM for trauma survivors | Meristems
    • Apples Grow on Oaks
    • Summer has completely come today
    • Gently running downwards
    • Zeic
    • Sourcebook | Książka źródeł
      • Eyes
      • 2339 letters 8 574 pages
      • Cucumbers
      • portrait of narcissa żmichowska
      • sketch for narcissa żmichowska
      • Wahlverwandtschaften #1
      • Sourcebook no 33
      • Useful knots
      • from the soil right here beneath this house
      • Wahlverwandtschaften #2
      • Wahlverwandtschaften #3
      • The Berry Maids #1
      • White lady
      • In each of these pairs, one would masculinise herself outwardly
      • drawings
      • text
    • A pine with six hands
    • I would rather not talk about this at church
    • Eighteen Christmas trees
    • Red-faced monkey
    • Strong sisters told the brothers
    • Well written act
    • Fifth Column
    • Legal Order
    • Group practices
      • Strajk Kobiet Wrocław
      • Collective Manifa Toruńska
      • #2613 (bez tytułu)
      • #2615 (bez tytułu)
      • Toruńskie Dziewuchy
      • Strajk Kobiet Kłodzko
      • Strajk Kobiet Zgorzelec
    • I find this strange
    • Herb of Grace
    • You’re going to love the lavender menace
    • It’s barbaric, but hey, it’s home
    • Public displays of Affection
    • Annihilate by speaking
    • About diseases of plants
    • The field I am buried in
    • Self-portrait with borrowed man
    • Freedom and Equal Opportunity (…)
    • Gays and artists create ODP
    • A Journey
    • Bitches. Self-portrait with a lover
    • Other works
      • She-wolf
      • Rosa Winkel
      • Stalin’s Revenge
      • Playing with Myself with a Piece of Art
      • Blue blood. On TV I’m always a queen.
      • Unsorted
      • Linguistic and gender asymmetry
      • Methods of camouflage in contemporary Poland
      • SCUM
      • Breathing exercises
      • Eleven skinned spruces
      • double self-portrait
    • Solo shows
      • The First Year They Sleep, the Second Year They Creep, the Third Year They Leap
      • Atlas of Tangled Tales
      • My hands are full
      • Let’s Slip a Moist Flax Seed into a Soil
      • Neetlebrides
      • Maids are sitting in a circle, Hawk was hanged
      • The star is burning over Betlehem
      • The long march through the institutions
      • Side effects
  • Texts
  • Publications
  • Contact
  • pl
  • en

Benefits of BDSM for trauma survivors | Meristems since 2022

intarsia/inlay: poplar burr, maple burr, California and Caucasian walnut burr veneer
MDF board, shellac polish; steel

Benefits of BDSM for trauma survivors | Meristems

The works are devoted to the presentation of non-normative sexuality and the liberation of the queer body.

The artist made them by hand in the inlay technique used to decorate wooden furniture. In relation to the matter of wood and the human body, she searched for natural representations of disease, otherness, self-regeneration, and growth. She discovered these qualities by working with burr, creative tissues, galls, and queer BDSM practices.

Considered a defect, a burr is a growth that results from the swelling of a tree’s trunk. It is caused by damage: it can be a virus, fungus, genetic defect, or mechanical injury. When a trunk is injured, scar tissue becomes active, which gradually widens the rings, creating bulges and changes in the arrangement of wood fibres. The infection can also stimulate the previously dormant side shoots, which start to build up in an uncontrolled, avalanche way, creating the so-called knots. The artist uses this “defective” material to affirm instincts and sexuality that cross the borders of patriarchal social norms.

In the series BDSM Benefits for Trauma Survival, Zeic explores the potential of queer BDSM practices in trauma processing. The titular meristems, on the other hand, are tissues made up of cells capable of dividing. An attack by insects will cause them to grow the so-called galls, i.e. abnormal outgrowths of plant tissues processed and controlled by herbivorous insects as their microhabitats. They are called galls after the Latin galla, “oak-apple,” or cecidia, from the Greek kikidion, “something that gushes out.” A gall becomes both a habitat and a food source for an insect, and can also provide physical protection against predators.

The artist uses the metaphors and matter of meristems, galls, and burrs to support nature for the development of space for queer life. By referring the social tissue to biology, she also undermines arguments about “natural” and “unnatural” human tendencies.

(Joanna Sokołowska for Biennale Zielona Góra 2022)

Neetlebrides | Zona Sztuki Aktualnej, phot. Jerzy Szreder i Janusz Piszczatowski | Liliana Zeic

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Benefits of BDSM for trauma survivors | 8

© 2026 Liliana Zeic (Piskorska)